I’ve never really wrote a tutorial before so apologies if this is bad
1. okay first thing I do is pick three colors, a mid, dark, and light. I like to check the colors in greyscale to make sure there’s enough contrast between each one.
I then plop down a blob of whatever my middle tone color is.
2. next, I take my dark color and just sort of randomly place it around. I try to make sure there’s a good amount of both the mid and dark tones spread throughout. I personally like to keep it kinda messy. I also have pen pressure on for both brush size and opacity, so I can have some blending action going on.
3. for the next step I do the exact same thing as before, except with the light color.
4. aight this is where we start adding details. see how you just have a bunch of colors and edges where two colors meet? use the eyedropper and go to an area where two colors meet, eyedrop a color, and then use that color to draw in your grass blades. I do this at every point where colors meet. should note I personally like to use a square brush, but you can really just use anything.
5. you can technically stop at the last step if you’re going for a more simple look, but to add more details I go to the “empty” areas of solid color and just draw in random strokes using a color nearby. it’s just a way to fill up the empty space.
6. basically more of the same idea of eyedropping and drawing. for more variety so things look interesting, I like to add random plant shapes.
7. and so the grass doesn’t look too plain, I add random dots of color and pretend it’s flowers and stuff.
and there you have it, this is how I approach drawing grass.
holy fuck is right… but… does it work with legs???
yes !!
but how much extend
^^^^^^^^^^
I NEARLY CHOKED
ENJFDFNFATFVFDF
finally. i can be accurate
This is too fucking great to not reblog
I give it MASCLES
BIG MACHO
🤣🤣
LMAOOOOOO
Okay but for anyone who legit wants to know how to calculate it correctly:
The elbow joint on average rests a couple inches higher than the navel, so if you measure how long the distance is from the middle of the shoulder to that point then you have the length of the upper and fore arms!
So if anyone’s wondering about legs too, the simplest rule of thumb is that the length from the top of the leg to the knee is equal to the distance between the top of the leg and the bottom of the pectorals:
And I wanna stress that when i say “top of the leg” i’m not talking about the crotch (please don’t flag me tumblr it’s an anatomical term) i’m talking about the point where the femur connects to the pelvis, which is higher up on the hips:
It’s easier to see what I’m talking about in this photo of a man squatting:
So yeah if you use that measurement when using this technique you should get fairly realistically proportioned legs:
But remember! messing with proportions is an important and fun part of character design! Know the rules first so you can then break them however you please!
Coloring stuff! I’ve been told that the way i color is really unique, and that’s in part to using overlays religiously! I’m hoping to make this a series of the coloring techniques I ruthlessly employ, so please give feedback if you get use from this!
TumblrGIFsizedimensions(2018) ↳ For anyone who’s new at gifmaking, or find that their gifs look fuzzy despite being sharpened, be sure to make sure you’re using the correct width dimensions for your gifs. The numbers on the gifs above are the width dimensions (all height 200px, although you can typically pick any height for your gif, within reason) on Tumblr.
WHAT ARE YOU TALKING ABOUT YOU ARE THE BEST ART TEACHER EVER OMFG THANK YOU
If all teachers taught their subjects the way just taught this, I would have been more interested in what they had to say and less in just doing the bare minimum to pass a test.
Why do artists refuse to use references why why why.
It’s not a contest to see who can get by without them. It’s not cheating to look at a thing in order to know what the thing looks like.
You don’t get stronger or better by pretending. Nobody is impressed by the awkward whatever-it-is you just drew. Use references.
I don’t think a lot of people know that it’s not cheating. I recall seeing so many piece of art called out because they referenced a pose, someone recognized it, and then proceeded to shame them for it. There’s this belief, both by creators and the audience, that artists should just be able to translate the ideas from their head to paper, and if they don’t, it’s plagiarism, or not true originality (spoiler alert: there’s no such thing).
I myself didn’t start using references until very recently, because even I was under the impression that it was frowned upon. And that belief has seriously crippled and stalled my ability to improve as an artist.
As a restarting artist, I can confirm. I just never knew. I thought you were just supposed to know how to draw the body correctly and if you didn’t you had no talent.
(( I am going to say this again, loud and clear for everyone:
USING REFERENCES FOR ART IS NOT ‘CHEATING’!!!
If you can draw/paint without references, great! But if you need to use them, and feel that your art can be bettered by using references, please, use them! This is one of the biggest tips I can give to artists, is USE REFERENCES!
Anyone who would dare to attack someone for using references after ‘recognizing a pose’ is a dipshit, who doesn’t know a thing about art.
Do you know who else used references for their art?
Norman Rockwell
Alphonse Mucha
Gustav Klimt
Toulouse Lautrec
Vincent Van Gogh
Paul Gauguin
Edgar Degas
Gil Elvgren
Frida Kahlo
Pablo Picasso
Disney Studios
And thousands of others! So, artists! Go forth, and use references!!! ))
Reblogging as a constant reminder to my followers: You will never get better if you don’t use REFERENCES from life!! References are your friend I use them all the time and have nearly one terabyte for poses alone.
You can even use other artists work, it’s just a matter of respecting the artist. Just be very careful and ASK (if you can) before posting any art you made that directly references an artists work. If you cannot contact them, let people know or link to the reference you used. Do not claim the work is your own or let people assume it by not saying anything at all-that’s where the call out culture is. Emulating master works was REQUIRED for half my undergrad classes in painting- and my original work was so much better because I studied someone with more experience and knowledge of the craft.
Unless you have a very good grasp on your subject matter trying to draw everything from memory is just going to hinder and frustrate you.
Study the masters.
Study real life.
Practice. Practice. Practice.
Your work will thank you for it.
I don’t add to reblogs ever, but I’m gonna mention for a hot minute that in my studio art classes I took before uni and during high school when I still thought I may have been going into art for college collecting references was a REQUIREMENT or else you wouldn’t be allowed to carry on with the project at all. They actually counted towards a small part of grade in fact. Yea proving that you were not just winging it counted for something. They wanted to know that you knew what you were doing so you weren’t just somehow guessing and pulling it out of nowhere… Anyone who says looking at references is cheating clearly doesn’t know what tf they are talking about. That’s just ridiculous.
download these two then setup paint studio right click one of the icons after its done and click “file location” copy the crack files into the main paint studio file then click on the crack.exe till it says ok open paint studio
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